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"The Guardians"
by Kimberly Bustillos on 2/25/2011 1:17:30 PM
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 THE LOATHSOME TALE OF A HOUSEWIFE
The cake was great, the cake was grand Nothing of this sort could have been made by my hand
I took the gift, and loved it well But what happened that night is what I'm about to tell
The cake was made by the best looking and craftiest of cooks One so talented in baking, and making and writing books!
She baked the cake well with the greatest of care So that she could pass it along for her friends to share
When it arrived at my house I accepted with pride And immediatly thought of great spots for it to hide
My home is quite peaceful on a typical day But with this great bounty I knew I could not keep the children at bay
So I set the perimeter and appointed the general in charge Though small in stature their determination was quite large
The children set to feasting with only their eyes For with such bounty there was no need for shakes and fries
The night wore on and the soldiers grew weary They moaned and complained and said life was so dreary
Until the general decided, without much thought To challenge the men, and so they fought
The battle was frightful, and went on for far to long And before any of them knew it the cake was all gone!
The children of the house with their whit and their whim Had goaded the general and made a fool out of him
They smiled with delight and laughter and glee Until off they ran giggling when they all had to pee
The general and his men failed me greatly this day And wether or not I'll ever give them a job is hard to say
The moral of this quaint little story I write, Is that you can try with all your strength, mind and mite,
But in the end the kids are going to get into everything!
-Kimberly Bustillos
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Update on Classes and Exhibits
by Kimberly Bustillos on 1/23/2011 4:19:43 PM
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Classes: I will be teaching a six week series of classes for beginning artists this March! They will be taught at Pandemonium in Wasilla. For more information check out "Classes" on my website: http://artdebustillos.com/workshops Exhibits and Galleries: I will now be showing in three galleries! I now have locations in Anchorage, Wasilla, and Palmer. Listed below are the galleries and what collections of work I will be showing at each one. Artic Rose Gallery, Anchorage, AK: I will be exhibiting my figurative and landscape paintings. Work is done primarily in oil and most have custom made solid wood frames. Artwork is part of the Painted Ladies art exhibit and can be found in our room next to the register in the gallery.
 Hot Hot Chocolate Shoppe, Palmer, AK: This series of paintings is the direct product of my work with music theory and color harmonies. This collection is a fun and tasty selection of paintings focused on the chocolate shoppe and all that goes on there.
 Pandemonium Book Sellers and Cafe, Wasilla, AK: A fun and whimsical collection of the life and times of the toys on my toy shelves. A thought provoking and fun display of replications of our everyday lives. Still a work in progress at the moment, but still quite the sight to see!
 Upcoming Exhibits:
Hot Hot Chocolate Shoppe Inside the Downtown Palmer Plaza 550 S. Alaska St. Palmer, AK
 "The Art of Love" Featuring paintings inspired by the joys and hardships of finding love. February 11th and 12th from 4-8pm. Pandemonium Book Sellers and Cafe: 1325 E Palmer-Wasilla Hwy Wasilla, AK 99654 "The Life and Times of I.R. Cat with Specials on Snipe Hunting and Dragon Awareness" Showcasing our daily troubles and joys as played out by the night life of my toy shelf. With a special tribute to the fading art of Snipe Hunting and Dragon Awareness. October 8th from 4-8pm.
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Alchemy-The Need to Push Reason 2
by Kimberly Bustillos on 12/23/2010 2:42:09 PM
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"Magic Maui Marlinspike" 4 x 16 Oil on Panel
Alchemy through the years of its existence has been a beacon in reasoning. Once a person delves past the rudimentary physical basis of it the underlying concepts behind the science comes to light. Common beliefs of alchemy such as the concept of changing lead into gold, the elixir of life and the search for a universal solvent, all laid the ground work for the phillisophical and spiritual side of the science, a human factor. A higher meaning for those not only delving into the science of alchemy itself but going above and beyond the common ground. Searching for more than what was laid out before the novice in terms of basic science and reasoning. For once a you go above and beyond your common reasoning you lay the groundwork for greater things.
I was fortunate enough to have parents who installed such concepts into my mind at a young age. Well, concepts along free thinking lines in general anyways. I have to admit it wasn't until I realized that I would never make it as an Apache scout that I decided to delve into alchemy(yes dad, you trained me well). And of course a lot of enthusiasm from my mom's insistence that women have brains too helped out a lot. I was fortunate because as humans in general we really only have our own experiences of logic to base our spiritual well being off of. Good parenting ground work laid the foundations. Along with a personal choice and desire to go above and beyond what I think I'm capable of doing is what the higher levels of alchemy is all about. To not only test what is known, but to pursue something higher.
The rennisance was proof to this. Years of the dark ages, the inquisition, witch hunts and countless wars over religious beliefs left people of Europe in a depressed state of mind. The renaissance is usually determined as a time when western culture went backwards. Alchemy was, as it had been for quite some time at this point, was still up and running. Because of the threat of knowledge at this point in history alchemy was banned as "heresy" by the leading Christian rulers. Alchemists of the time realized it was quite difficult for religion to lead the country on faith if their ideals where constantly being questioned by the science community. So as a kind way of saying "I'd rather not be beheaded today" they backed away and continued on with their studies underground. Waiting for the opportune time when their science, mathematics and way of thinking would be much more appreciated. And so came the renaissance. And what was the major factor that defined the renaissance? Why art of course, and alchemy had quite a bit to do with it!
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Alchemy-The Need to Push Reason 1
by Kimberly Bustillos on 12/17/2010 10:20:57 PM
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Alchemy is an age old science/philosphy that has been estimated to have been in practice for over 2,500 years. For western cultures it has been both supported and condemned by the supporters of Christianity. It is the basis of modern chemistry, among many other sciences. Helped pull Europe out of the dark ages. Brought a desire and craving to understand the world around us, to pursue our own spiritual paths, and most importantly to think outside the truths that are plainly laid before. Alchemy is as diverse as it is old. Though it can be broken down into a concepts it is generally seen more as a lifestyle, or an enlightenment to reason. As for me, my main interests in the subject are basic: alchemy laid the basis for art.
Coming from western culture I grew up with the impression that alchemy was some sort of dirty secret. Knowledge that only witches and crazy people used to go along with their magic spells. Alchemists may as well have been devil's spawn for all I knew. So of course I did what any kid would when faced with "forbidden" knowledge and delved right in! It wasn't long before I realized that alchemy didn't really have much to do with pagan rituals, unless of course you go of off medival train of thought (in which case I would have been burned at the stake long ago). But instead brought up a humanly desire to experiment and question "Why?" things where the way they where. Coming from a very fundamental religious background where many things can't be explained with reason other than faith this new way of thinking for me didn't go to well. Which in turn, even as a young kid, I realized thats exactly why it has been so taboo over the centuries.
Equipped with my new found desire to learn about the world around me I made great efforts to step outside the lines. Once the doors are opened to seeing things as they really are there is no going back. Research became my friend. Though there are no actual "steps" to alchemy its pretty clear that chemistry and science/mathematics are somewhere up there near "most important" status to the novice. I knew alchemy paved the way for modern chemistry. One look at a chemist set with all its fancy tubes, vials, chemicals and so forth and I was hooked! Newton is the most notably known scientists to really delve into the practice of alchemy. Yes Newton, and avid alchemist most his life. Of course by the time I became of age to take part in this awe inspiring herritage Newton had long been in the grave. So I worked with the next best scientist for the job, Mr. Dee! My high school science/minerology teacher. With field trips every week and a whole array of bunsen burners, minerals, fruit flies, and chemicals at our classroom disposal it was hard not to be completely enthused. I not only relished in sciences and mathematics during school hours but took a keen interest in the effects this knowledge has on people in general.
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Owl and a Special Truffle
by Kimberly Bustillos on 11/29/2010 9:09:32 PM
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This painting was inspired by a not so typical owl and a not so typical truffle. Another painting in my series of chocolate inspired art based on music/color harmonies. Alone I couldn't do much with either subject, the owl was a little odd, and the truffle, well its just not the usual truffle I'm used to. But together they make tremendous art!

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Music Theory and Color Harmonies "For Joy of Truffle"
by Kimberly Bustillos on 10/1/2010 3:17:36 PM
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Because music and art have always been my life long passions I decided it time I start combining the two. Theories on color harmonies inspired by the music scale where first made popular by Isaac Newton. Needless to say, its been around a loooong time. With a great deal of help from Caroll Callaway's "Color Harmony Derived Through Music Theory" and Martin Kemp's book "The Science of Art" I have began doing my own experiments on the subject.
I started first by doing a few paintings to some of my favorite orchestra pieces. These where done completely by ear. By visualizing the color different tones made. Not very scientific or exact but a good way to start the project off.
"Wild Roses" 9x12 Painted as the ending of Bethtoven's 9th symphony
"Lillies in Bloom" 9x12 Painted as Swan Lake
"Pete" 9x12 Painted as Canon in D
Doing a painting to the tune of a certain piece of music is fun, simple and quite easy to do. So once I was in the swing of things and a little more warmed up to the concept of using colors to visualize music I decided it high time to start focusing on the building blocks of music theory and color harmonies.
The first two small sketches at the top are my notan sketches or thumbnail sketches. The first one breaks the composition down into simple shapes, the second adds in some textures and flow. At the bottom left you will see my hastily made color wheel. The outside letters are the corresponding notes to the abbreviation of the color on the color wheel underneath them. The triangle is the lines connecting the D minor harmony that I based my painting off of. I then did the color sketch to the right as a basis for how I would lay out my colors using the D minor color harmony for my painting (by the way, is used water soluable crayons for this, they are awesome!).
"For Joy of Truffle" 8x10 Oil on Clayboard Panel
And this is the final result! I will continue doing paintings of the basic music/color harmonies one chord at a time for a while. I'm hoping that in the not too distant future I'll be able to start combining them into larger, more complex paintings portraying complete pieces of music and symphonies.
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And Project Chocolate begins.....
by Kimberly Bustillos on 9/10/2010 8:17:36 PM
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My journey begins with a single truffle. Yes, a lonely, delicious little spicy one. Spicy you dare say? Yes, spicy. For this is no ordinary truffle. My dear readers, I've come upon the most amazing "hot" truffle. And yes, its just that, hot!
"The Lone Truffle (AKA, Too Hot to Handle)"
This little one is going through the value stage of painting. The first and most important phase of my paintings. I break the painting down into simple values and shapes to simplify the composition. Laying the groundwork for the final painting.
As it turns out there is an amazing chocolate shop located deep in the heart of Palmer, Alaska. Hot Hot Chocolate Shoppe has the most tasty little chocolates and truffles I've tasted in the whole state! Not only did I find this delectable little spicy number I've got here, but many more delightful truffles and chocolates that will entice your taste buds like never before. I was so impressed by this little shop and its many wonders that I have taken it upon my self to do a whole series on chocolates! Yes, a task that is sure to be filled with heartache and loss, for my truffles never live long after I get them home. But I will prevail, and come December 11th you too may share in my triumphs as I showcase the collection of paintings at the Hot Hot Chocolate Shoppe as part of the second Saturday art walk.
Here is just a taste of what is to come. A few paintings in varying stages of completion. Designed and posted just entice your taste buds and keep you wanting more : D
"Reflections of Chocolate and Coffee"
This paintings is going through its "tonal" phase. I like to get a good tonal base to better organize my color and composition before adding the real colors.
"Truffle Trio"
This piece is very near to completion. I'm letting this layer of paint dry out a little so I can do some final glazes and add some pearlesence pigments to the tops of the chocolates.
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Plein Aire- Palmer Hay Flats, Alaska
by Kimberly Bustillos on 6/7/2010 6:45:03 PM
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9x12 Oil with Pallet Knife on Panel
Sunday morning was so beautiful! We recently got a much needed big rain so the wild roses, dandelions and other flowers where blooming all over the place! We set up our easels in a wetland refuge where we could hear the geese honking and numerous other birds chattering away. The scenery was just breathtaking! But as lovely as the scenery was what really got my attention where the sounds and smells that really made the morning magical. And thus I decided they where more important to paint than the realistic landscape. So I painted the "feel" of my surroundings, the sounds, smells and the warm feel of the early rising sun using lots of texture, movement and of course some choice colors.
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La Artista en Plein Aire
by Kimberly Bustillos on 6/4/2010 10:27:51 AM
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Summer has finally hit Alaska, and with it a little outside painting. As a novice to the whole plein aire thing I have to say it never brings about a dull painting session! I've only been out on a few plein aire escapades, and every time I've gone out I was challenged, amused, and stunned by my enviroment. I don't know what it is out painting out doors, I can go for a walk or picnic or something outside and have just a calm peaceful outing. Once I pull the paint out all sorts craziness starts happening. Talya's farmyard pets are victim and know this truth far too well.
Today I woke up around 4am to head out for an early session of plein aire painting. Great morning for painting. It was sprinkling very lightly so the colors outdoors where all beautiful, rich, saturated colors. Perfect for starting the studies on my barn painting. So I head out on this perfect, quite and peaceful morning. Soaking in the my beautiful Alaskan surroundings. Feeling at one world around me, I quietly set up my supplies. And as soon as I do of course its starts to downpour! But I figure there are worse things in the world. I'm painting in oil so as frustrating as it is to dump the water off the pallet every little bit it doesn't really effect the painting. And so I begin. Rain, its just a little distraction. Wet freezing feet and hands are all just part of the experience.
A few minutes later and I come to my senses as an artist and realize "the rains not THAT bad, its all part of the painting experience". And again I am at peace, and happily painting. But alas, fate would not be so easy on me. I was painting next to a horse pen and for reasons I may never fully understand the pair that was in there decided that 10 feet away from me was the best place to start "making babies"! Let me tell you, I'm all up for an exciting outing and all, but that was FAR too much excitement for me! Though I never quite understood the concept before, celibacy really started make sense to me. And horses, not so cool as I once thought.
An hour of dealing with all this and I decided I was cold, wet, and a little traumatized by the local farm life and figured my little plein aire painting was good enough. Got the colors, rainy day saturation, and atmospheric effect I was going for. And so I packed up my gear and ended yet another "exciting" session of plein aire painting.
And for all you valley artists (and Anchorage artists too, I'm not judging) who sleep means nothing too, I'll be making a lot of early morning plein aire trips. Should you decide to pull yourselves from you warm comfy beds and I would be more than happy to have you join me : )
A little note on the importance of plein aire painting Cameras see landscapes a lot differently than the human eye. As you can tell in this pictures the entire top half of the mountain didn't come out in the picture because of the light cloud cover. In real life it was very visible. Also the rafters and insides of the barn look almost black in the photo, again, not how they look in person. I will be doing a lot of studies of this barn in different weather conditions to really get a feel for atmosphere, lighting and everything else that changes in a typical scenery. Things that really have to be experienced and painted on site to be able to truly capture.
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Practice, Practice, Practice!
by Kimberly Bustillos on 4/1/2010 3:44:08 PM
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Practice is a lot harder than it seems, for me anyways. Practice does make perfect (well, in some cases) but takes time and dedication. Something not always convenient with our jobs, houses to take care of, laundry to do and raging children running around like mad. I regret to say that I have fallen victim of the awful habit of just doing "finished" paintings. Doesn't seem so bad right off the bat, right? Wrong! So much of the artistic process is lost to just finishing commission works or paintings to sell. Quick sketches, studies and such open up to so many possibilities. Practicing for the sake of practice greatly improves skills and techniques with out the added pressure of worrying about how it will turn out, if it will sell, or if the commissioners are going to approve. And I've come to realize that its just plain out fun : )
So with that in mind, some art buddies and I set up a still life and practiced away(well I did anyways)! And long last I got a chance to try out my Yupo paper. I've had in on the shelf for about 6 months now, too worried to try it out on a "real" painting. And I must say I quite like the stuff! Its paper made out of plastic and compatible with acrylic, oil, and water color, just to name a few. Also in the sake of my practice session I went about doing my painting in a different manner. Didn't use a pallet knife once! Decided I needed a little more practice with just a brush. I used a size 8 mongoose brush on this small painting so I could focus more on shapes and colors and forget about detail. Not that I actually forgot about it, it was just impossible to get it with that size brush. Overall I had a great time!
Painting measures about 11x14 inches Oil on Yupo paper
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