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Plein Aire- Palmer Hay Flats, Alaska

by Kimberly Bustillos on 6/7/2010 6:45:03 PM
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9x12 Oil with Pallet Knife on Panel

Sunday morning was so beautiful! We recently got a much needed big rain so the wild roses, dandelions and other flowers where blooming all over the place! We set up our easels in a wetland refuge where we could hear the geese honking and numerous other birds chattering away. The scenery was just breathtaking!  But as lovely as the scenery was what really got my attention where the sounds and smells that really made the morning magical. And thus I decided they where more important to paint than the realistic landscape. So I painted the "feel" of my surroundings, the sounds, smells and the warm feel of the early rising sun using lots of texture, movement and of course some choice colors.

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La Artista en Plein Aire

by Kimberly Bustillos on 6/4/2010 10:27:51 AM
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Summer has finally hit Alaska, and with it a little outside painting.  As a novice to the whole plein aire thing I have to say it never brings about a dull painting session!  I've only been out on a few plein aire escapades, and every time I've gone out I was challenged, amused, and stunned by my enviroment.  I don't know what it is out painting out doors, I can go for a walk or picnic or something outside and have just a calm peaceful outing.  Once I pull the paint out all sorts craziness starts happening.  Talya's farmyard pets are victim and know this truth far too well.  
Today I woke up around 4am to head out for an early session of plein aire painting.  Great morning for painting.  It was sprinkling very lightly so the colors outdoors where all beautiful, rich, saturated colors.  Perfect for starting the studies on my barn painting.  So I head out on this perfect, quite and peaceful morning.  Soaking in the my beautiful Alaskan surroundings.  Feeling at one world around me,  I quietly set up my supplies.  And as soon as I do of course its starts to downpour!  But I figure there are worse things in the world.  I'm painting in oil so as frustrating as it is to dump the water off the pallet every little bit it doesn't really effect the painting.  And so I begin.  Rain, its just a little distraction.  Wet freezing feet and hands are all just part of the experience.  
A few minutes later and I come to my senses as an artist and realize "the rains not THAT bad, its all part of the painting experience".  And again I am at peace, and happily painting.  But alas, fate would not be so easy on me.  I was painting next to a horse pen and for reasons I may never fully understand the pair that was in there decided that 10 feet away from me was the best place to start "making babies"!  Let me tell you, I'm all up for an exciting outing and all, but that was FAR too much excitement for me!  Though I never quite understood the concept before, celibacy really started make sense to me.  And horses, not so cool as I once thought. 
An hour of dealing with all this and I decided I was cold, wet, and a little traumatized by the local farm life and figured my little plein aire painting was good enough.  Got the colors, rainy day saturation, and atmospheric effect I was going for.  And so I packed up my gear and ended yet another "exciting" session of plein aire painting.  
And for all you valley artists (and Anchorage artists too, I'm not judging) who sleep means nothing too, I'll be making a lot of early morning plein aire trips.  Should you decide to pull yourselves from you warm comfy beds and I would be more than happy to have you join me : )


A little note on the importance of plein aire painting  Cameras see landscapes a lot differently than the human eye.  As you can tell in this pictures the entire top half of the mountain didn't come out in the picture because of the light cloud cover.  In real life it was very visible.  Also the rafters and insides of the barn look almost black in the photo, again, not how they look in person.  I will be doing a lot of studies of this barn in different weather conditions to really get a feel for atmosphere, lighting and everything else that changes in a typical scenery.  Things that really have to be experienced and painted on site to be able to truly capture.  

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Practice, Practice, Practice!

by Kimberly Bustillos on 4/1/2010 3:44:08 PM
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Practice is a lot harder than it seems, for me anyways.  Practice does make perfect (well, in some cases) but takes time and dedication.  Something not always convenient with our jobs, houses to take care of, laundry to do and raging children running around like mad.  I regret to say that I have fallen victim of the awful habit of just doing "finished" paintings.  Doesn't seem so bad right off the bat, right?  Wrong!  So much of the artistic process is lost to just finishing commission works or paintings to sell.  Quick sketches, studies and such open up to so many possibilities.  Practicing for the sake of practice greatly improves skills and techniques with out the added pressure of worrying about how it will turn out, if it will sell, or if the commissioners are going to approve.  And I've come to realize that its just plain out fun : )

So with that in mind, some art buddies and I set up a still life and practiced away(well I did anyways)!  And long last I got a chance to try out my Yupo paper.  I've had in on the shelf for about 6 months now, too worried to try it out on a "real" painting.  And I must say I quite like the stuff!  Its paper made out of plastic and compatible with acrylic, oil, and water color, just to name a few.  Also in the sake of my practice session I went about doing my painting in a different manner.  Didn't use a pallet knife once!  Decided I needed a little more practice with just a brush.  I used a size 8 mongoose brush on this small painting so I could focus more on shapes and colors and forget about detail.  Not that I actually forgot about it, it was just impossible to get it with that size brush.  Overall I had a great time!  

Painting measures about 11x14 inches Oil on Yupo paper

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"Glass Float"

by Kimberly Bustillos on 11/18/2009 10:43:35 AM
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As I filled my painting time up this morning with anything but what I was supposed to be painting I did this still life.  Its a Japanese glass float for fish nets.  I was experimenting with a new limited pallet set of Rublev oil colors.  Rublev uses only natural and historic pigments, and made only with oil, no modern additives or stearates.  They are formulated to maintain the individual characteristics of each pigment in oil.  

I'm working on getting tone and color relationships down.  The Rublev paints I used are perfect for this.  For this still life I used Lemon Ochre, Verona Green Earth, Pozzuoli Red, Cyprus Raw Umber and Lead White.  And I have to say I am really happy with the results!



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"Pear Still Life"

by Kimberly Bustillos on 11/15/2009 4:08:11 PM
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This is a still life I started last week.  It was half painted from light and half from a photo reference later.  I'm working on the color relations between colors when layered in with textures.  I work primarily on portraits, people and figures so I thought a pear would be the perfect test piece.  Pear skin is actually really similar to human skin when it comes to the subtle colors coming up through the skin.  Similar, but not as complex.  And the perfect study.

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Judy Vars Encaustic Wax Class

by Kimberly Bustillos on 10/17/2009 2:04:47 PM
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I had a blast last night at Judy's class!  Due to a turn of events we ended up having the class in my garage.  Which quite honestly worked out very nicely for me : )  Encaustic wax is quite the medium.  It was a lot trickier to use than I had originally though it would be.  But at the same time it looks so beautiful.  I had a lot of fun layering on the wax, carving back, melting in as I made my meager attempts to conqure the medium.  I was really surprised at how versatile it is!  Judy brought some of her paintings to show as samples.  They had collage pictures in the wax, transfered pictures, small objects, and some amazing paintings!  Here is a little information Judy wrote about Encaustic Wax:


Encaustic wax art is pure organic beeswax and dammar resin. The pigments are high quality cakes of wax made with natural ingredients like oil paints. Encaustic which simply means to burn in. the wax is melted on a hot pallet and applied to the substrate hot, it cools instantly, then each layer is then reheated and the next layer is applied.
 
Encaustic painting is like nothing else it has a depth and luminosity that other mediums cannot achieve. Because the wax is malleable there are infinite possibilities. Each painting is unique.

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Article in Frontiersman Newspaper!

by Suzanne Bach on 10/12/2009 9:10:59 PM
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Out of boredom, into art

BY SUZANNE BACH
Published on Thursday, October 8, 2009 10:01 PM AKDT

The Mat-Su Valley couple met while working together on job sites as “scraper” and “taper” for the same general contractor. Kimberly Bustillos, with Sheetrock dust from head to toe, and Frank, with hardly any dust at all, fell in love. Interestingly enough, they were both from LeBaron, Mexico, but first met in Alaska. They now have three children and own their own company, where he contracts and she does the accounting.

Between the business, and daily routine with the three preschoolers, Monica, 5 (the energetic peanut butter sandwich maker) and the 2-year-old twins, a boy and a girl, (who follow big sister around), how could Kimberly Bustillos be bored? “I get bored easily and is really why I started painting,” she said. After trying scrapbooking, then sewing, she says painting has become her “love and obsession,” sometimes captivating her interest until incredibly late hours, knowing she can nap with the kids the next day. “When it is something you want to do, you find the time,” she said.

Currently she is not only painting, but teaching drawing (including silverpoint) at Make-a-Scene, a facility in a huge Quonset hut off Lucas Road in Wasilla. Also, she is organizing other artists to teach. Having three huge rooms to choose from, she has arranged various drawing courses including Life Drawing with her sister, a professional model, as the subject. Kimberly is thrilled at bringing different art opportunities to the community through these classes. 

(Use arrows above to view more photos)

Having a routine, or winging it, Bustillos gets in more painting time in the winter, sometimes 10 hours a week, as opposed to summer time when approximately five hours is more realistic. Whenever there is a deadline, she plans ahead by accommodating for the drying time of the oil paint, which can be as much as two weeks. She likes acrylic because it dries faster.

When asked about her palette color choices, she says she thinks of her colors as “rich, not dark,” but confesses that layering with darker shades, adding gels to the acrylic colors, and thinning mediums to the oils, gives a transparency that she loves.

Her children are favorite subjects for her work, while using photographs for reference, and then checking out the details with “skin tone under the eyes or how light reflects” on their features. Portraits and figures are her preferences, but she also does still life.

Doing still life studies “for convenience works out,” however, a friend will be sitting twice a week for about two months, so Kimberly can paint from life. She purported that this would be her first “actual complete painting from life and is looking forward to it.” She wants to “get proportions down forwards and backwards and be proficient with the human anatomy.” Practicing techniques in art “all of the time,” using how-to-books to study anatomy, feeds her yearning to know by rote what now slows her down while struggling with proportion. The two upcoming shows, one at Bagel Alaska for the Valley Fine Arts Association as part of the Valley Second Saturday events, and her Anchorage show later in October in the Arctic Business Plaza, are all Bustillos has scheduled for the rest of the year. “Mainly,” she says, she wants “time to practice and perfect her skills,” and also so she can catch up on commissions which seem to be stacking up. In observation of this very active upcoming artist in the community, there is nothing boring about her ambitions.

Suzanne Bach is an artist and teaches at Mat-Su College.

VALLEY SECOND SATURDAY

Artists’ reception for Kimberly Bustillos and Deb Rebischke is 5 to 6:30 p.m., at Bagels Alaska, 6177 E. Palmer-Wasilla Hwy. The show is titled “People, Places, and Things.” The reception is open to the public. 

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"Prize Marbles, and The Kiwi"

by Kimberly Bustillos on 10/11/2009 6:38:50 PM
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"The Kiwi" 6x8in Oil on Raymar Panel

Had a lot of fun with both of these.  I'm really taking to doing the little still lives.  Prize Marbles is my first painting I've done completely with a pallet knife.  The Kiwi was done both with a brush and pallet knife.  They are both small, but full of life : )

"Prize Marbles" 3x5in Oil on Ampersand Panel


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"Two Stuffed Cats"

by Kimberly Bustillos on 9/10/2009 1:12:17 PM
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"Stuffed Blue/Pink Cat" 9x12 Oil on Panel
"Stuffed Yellow Cat" 11x14 Oil on Panel

I've decided its high time I start doing some still life studies.  Not only is working from life really improve skills as an artist but its really fun too.  And so much easier not having to guess how the colors are supposed to look, like I have to do when working from photos.  

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"Little Princess"

by Kimberly Bustillos on 9/1/2009 1:46:08 PM
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24x17 Oil over Acrylic Gels on Panel
I think its kind of interesting how every little  girl wants to be a princess.  I'm not sure if it because of all the sparkles, glitzy shoes, and ruffles or just wanting to be everything that being a princess represents: the ultimate and highest standard of being a girl.  Poised, beautiful, beloved by all, and having a position of hight status where all your kind deeds are noticed.  And ending up with prince charming in the end doesn't hurt either!  I think the desire for a little girl to be a princess is really an amazing trait of the human race.  We all want to be the best that we can be as a child.  As far as this child was concerned she is the best she can be and a princess at that!  It too bad that most people grow out of this.  Realities of life set in and they convince themselves that they can never achieve their ultimate self.  Lets hope this kid doesn't : )

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